The CWWA (Contemporary Women’s Writing Association) has recently begun a book club, and their first novel is Lessing’s The Fifth Child. Although they have already met to discuss the novel in person, you can listen to the podcast and participate in an online discussion with other Lessing enthusiasts!
Robin Visel has provided us with a reading guide for The Golden Notebook. Her breakdown incorporates useful historical and biographical contextual information, a look at the various novel structures, and some tips for readers.
If you haven’t already checked out our Book Club Readers section, it offers Doris Lessing enthusiasts a place to start discussions and contribute to the society. We currently have two guides up, each tackling the business of reading in separate ways. As mentioned earlier, our newest addition by Robin Visel uses background information and structural explanation to help readers, and Tonya Krouse’s guide for The Good Terrorist provides a series of questions to engage readers with the material.
We are always appreciative of new reading guides and discussion from Doris Lessing readers!
Kerry Myler wins the Doris Lessing Society Graduate Student Essay Prize!
Kerry Myler is a lecturer in English at Newman University College, Birmingham. Her PhD examined Doris Lessing’s engagement with R. D. Laing and she is currently reworking this into a monograph on Lessing, the anti-psychiatry movement and gendered embodiment. Kerry is an executive member of the Contemporary Women’s Writing Association.
Abstract of Kerry’s winning paper:
This paper reads narratives of motherhood in Lessing’s The Four-Gated City (1969) in terms of R. D. Laing’s The Politics of Experience (1967). I argue that Lessing uses Laing’s work to rethink discourses of motherhood and madness. These are particularly important because of their fundamental role in maintaining the social order. Discourses of mothering are concerned with the social inheritance of ways of being (that is, ways of ensuring adequate adaption to and acceptance of a modern “mad” world); discourses of madness are concerned with regulating and policing intelligible ways of being (that is, excluding or reabsorbing those who have failed to adapt and accept this “mad” world). The Four-Gated City represents madness and mothering as intimately bound up with one another and the text radically reassesses the “nature” of both in order to imagine a new and better future for humanity. However, unlike Laing, Lessing cannot imagine these changes taking place within existing social structures. The Four-Gated City demonstrates that Laing’s inattention to matters of gendered embodiment, including his conceptualising of the mad as “gender neutral”, limits the usefulness of his theories for the madwoman. In Lessing’s novel the potential of humanity is repeatedly shown to be realised only when the existing social order, including the sex/gender system, is evaded and, ultimately, destroyed.
MLA Convention, Chicago
9 – 12 January, 2014
This is a call for papers for the Doris Lessing Society guaranteed panel at the 2014 Convention in Chicago from 9 – 12 January, 2014.
When Doris Lessing returned to Britain in 1950 she joined an influx of immigrants to London. Comparative studies welcomed. 250 word abstracts and brief bios by 14 March 2013; Alice Rachel Ridout (email@example.com or DorisLessingSociety@gmail.com)
This is a call for papers for a joint allied association panel at the 2014 MLA Convention in Chicago from 9 – 12 January, 2014.
Lessing’s reading of “Lady Chatterley’s Lover” as an anti-war novel suggests important intertextual relations between these authors. 250-word abstracts and bio by 10 March 2013. Alice Rachel Ridout (firstname.lastname@example.org) and Holly Laird (email@example.com).
This is a call for participation in a roundtable the Doris Lessing Society is proposing for the 2014 MLA Convention in Chicago from 9 – 12 January, 2014.
What challenges and opportunities do learned society journals face in the twenty-first century? Bios and 250-word abstracts for roundtable talks by 11 March 2013; Alice Rachel Ridout (firstname.lastname@example.org or DorisLessingSociety@gmail.com)